{"id":4697,"date":"2024-01-06T17:58:09","date_gmt":"2024-01-06T16:58:09","guid":{"rendered":"https:\/\/caccialuce.com\/home\/?page_id=4697"},"modified":"2024-01-08T20:56:28","modified_gmt":"2024-01-08T19:56:28","slug":"stories","status":"publish","type":"page","link":"https:\/\/caccialuce.com\/home\/stories\/","title":{"rendered":"Stories"},"content":{"rendered":"
<\/span><\/div>

Fumbling forwards\u00a0x\/c<\/a><\/h1><\/div>

This is an early series. \u00a0Quite frankly, I don’t think it has any kind of story to it, I was simply experimenting with page layouts and a then-new feature called “Off Canvas”. I pushed that feature to its limits.<\/p>\n<\/div>

\n\n\n\n\n\n\n\n\n\n\n
\n\n221001\n<\/a>\n<\/td>\n\n\nThis is not Chapter 11\n<\/a>\n<\/td>\n<\/tr>\n
\n\n221002\n<\/a>\n<\/td>\n\n\nGli stonati\n<\/a>\n<\/td>\n<\/tr>\n
\n\n221003\n<\/a>\n<\/td>\n\n\nThat voodoo\n<\/a>\n<\/td>\n<\/tr>\n
\n\n221004\n<\/a>\n<\/td>\n\n\nIl potere degli arlecchini\n<\/a>\n<\/td>\n<\/tr>\n
\n\n221005\n<\/a>\n<\/td>\n\n\nLa carit\u00e0 non avr\u00e0 mai fine.\n<\/a>\n<\/td>\n<\/tr>\n
\n\n221006\n<\/a>\n<\/td>\n\n\nOn a clear day\n<\/a>\n<\/td>\n<\/tr>\n
\n\n221007\n<\/a>\n<\/td>\n\n\nEverything visible is light\n<\/a>\n<\/td>\n<\/tr>\n
\n\n221008\n<\/a>\n<\/td>\n\n\nTh Th That's all folks !\n<\/a>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div><\/div><\/div><\/div><\/div><\/div>
<\/span><\/div>

The Orphic mosaic<\/a><\/h1><\/div>

The myth of Orpheus has captivated me since I was a boy and was amplified when, as a young man, I saw Jean Cocteau’s film version at my university theatre. It’s truly a heartbreaking love story.<\/p>\n<\/div>

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n\n221205\n<\/a>\n<\/td>\n\n\nKing + Muse<\/a>\n<\/td>\n<\/tr>\n
\n\n221206\n<\/a>\n<\/td>\n\n\nThrace<\/a>\n<\/td>\n<\/tr>\n
\n\n221207\n<\/a>\n<\/td>\n\n\nJason and the Argonauts<\/a>\n<\/td>\n<\/tr>\n
\n\n221208\n<\/a>\n<\/td>\n\n\nSirens<\/a>\n<\/td>\n<\/tr>\n
\n\n221209\n<\/a>\n<\/td>\n\n\nEurydice<\/a>\n<\/td>\n<\/tr>\n
\n\n221210\n<\/a>\n<\/td>\n\n\nVipers<\/a>\n<\/td>\n<\/tr>\n
\n\n221211\n<\/a>\n<\/td>\n\n\nUnderworld : descent<\/a>\n<\/td>\n<\/tr>\n
\n\n221212\n<\/a>\n<\/td>\n\n\nCerberus<\/a>\n<\/td>\n<\/tr>\n
\n\n221213\n<\/a>\n<\/td>\n\n\nStyx<\/a>\n<\/td>\n<\/tr>\n
\n\n221214\n<\/a>\n<\/td>\n\n\nCharon<\/a>\n<\/td>\n<\/tr>\n
\n\n221215\n<\/a>\n<\/td>\n\n\nPluto<\/a>\n<\/td>\n<\/tr>\n
\n\n221216\n<\/a>\n<\/td>\n\n\nProserpine<\/a>\n<\/td>\n<\/tr>\n
\n\n221217\n<\/a>\n<\/td>\n\n\nHades : Ascent<\/a>\n<\/td>\n<\/tr>\n
\n\n221218\n<\/a>\n<\/td>\n\n\nCi vediamo<\/a>\n<\/td>\n<\/tr>\n
\n\n221219\n<\/a>\n<\/td>\n\n\nMaenads<\/a>\n<\/td>\n<\/tr>\n
\n\n221221\n<\/a>\n<\/td>\n\n\nMuses of Lesbos<\/a>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div><\/div><\/div><\/div><\/div><\/div>
<\/span><\/div>

Festival of lights 22-23<\/a><\/h1><\/div>

Meditations on the death and rebirth of light during the 2022 Solstice. This leads naturally into the Carnival \/ Mardi Gras Season, which begins each year on the evening of 6 January.<\/p>\n<\/div>

\n\n\n\n\n\n\n\n\n\n\n\n\n
\n\n221221\n<\/a>\n<\/td>\n\n\nSolstice 2022<\/a>\n<\/td>\n<\/tr>\n
\n\n221222\n<\/a>\n<\/td>\n\n\nStaring out of the window<\/a>\n<\/td>\n<\/tr>\n
\n\n221223\n<\/a>\n<\/td>\n\n\nNew sun, new moon<\/a>\n<\/td>\n<\/tr>\n
\n\n221225\n<\/a>\n<\/td>\n\n\nRemains of the day<\/a>\n<\/td>\n<\/tr>\n
\n\n221227\n<\/a>\n<\/td>\n\n\nNew day, new way<\/a>\n<\/td>\n<\/tr>\n
\n\n221229\n<\/a>\n<\/td>\n\n\nBeginning to and back again<\/a>\n<\/td>\n<\/tr>\n
\n\n230101\n<\/a>\n<\/td>\n\n\nAuguri di buon anno 2023<\/a>\n<\/td>\n<\/tr>\n
\n\n230102\n<\/a>\n<\/td>\n\n\nNo one there, a.k.a. A void<\/a>\n<\/td>\n<\/tr>\n
\n\n230104\n<\/a>\n<\/td>\n\n\nStraniero in terra straniera<\/a>\n<\/td>\n<\/tr>\n
\n\n230106\n<\/a>\n<\/td>\n\n\nThe desire for enlightenment<\/a>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div><\/div><\/div><\/div><\/div><\/div>
<\/span><\/div>

Carnival 23<\/a><\/h1><\/div>

This series is an examination of New Orleans Mardi Gras from an ex-pat who dearly misses the event, the culture, but most of all the FOOD of New Orleans.<\/p>\n<\/div>

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n\n230109\n<\/a>\n<\/td>\n\n\nSpy Boy<\/a>\n<\/td>\n<\/tr>\n
\n\n230111\n<\/a>\n<\/td>\n\n\nFlag boy<\/a>\n<\/td>\n<\/tr>\n
\n\n230113\n<\/a>\n<\/td>\n\n\nBig Chief<\/a>\n<\/td>\n<\/tr>\n
\n\n230115\n<\/a>\n<\/td>\n\n\nBaby Dolls<\/a>\n<\/td>\n<\/tr>\n
\n\n230117\n<\/a>\n<\/td>\n\n\nSkull and Bone<\/a>\n<\/td>\n<\/tr>\n
\n\n230119\n<\/a>\n<\/td>\n\n\nZulu<\/a>\n<\/td>\n<\/tr>\n
\n\n230120\n<\/a>\n<\/td>\n\n\nPausa on the Riverfront<\/a>\n<\/td>\n<\/tr>\n
\n\n230130\n<\/a>\n<\/td>\n\n\nLet\u2019s take a walk<\/a>\n<\/td>\n<\/tr>\n
\n\n230212\n<\/a>\n<\/td>\n\n\nFloat<\/a>\n<\/td>\n<\/tr>\n
\n\n230214\n<\/a>\n<\/td>\n\n\nMambo<\/a>\n<\/td>\n<\/tr>\n
\n\n230216\n<\/a>\n<\/td>\n\n\nThrow me something, Mister!<\/a>\n<\/td>\n<\/tr>\n
\n\n230218\n<\/a>\n<\/td>\n\n\nHand me down Z \/ 504 coconut<\/a>\n<\/td>\n<\/tr>\n
\n\n230220\n<\/a>\n<\/td>\n\n\nRex meets Zulu<\/a>\n<\/td>\n<\/tr>\n
\n\n230221\n<\/a>\n<\/td>\n\n\nMardi Gras 2023<\/a>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div><\/div><\/div><\/div><\/div><\/div>
<\/span><\/div>

Lent 23<\/a><\/h1><\/div>

I started this story as a continuation of the Carnival series and got swamped in the middle of it, so I stopped posting – for quite a long time, it turns out. Priorities, you know?<\/p>\n<\/div>

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n\n230222\n<\/a>\n<\/td>\n\n\nFeria Quarta Cinerum<\/a>\n<\/td>\n<\/tr>\n\n\n
\n\n230225\n<\/a>\n<\/td>\n\n\nAlms<\/a>\n<\/td>\n<\/tr>\n\n
\n\n230227\n<\/a>\n<\/td>\n\n\nMona Lisa<\/a>\n<\/td>\n<\/tr>\n\n
\n\n230301\n<\/a>\n<\/td>\n\n\nwpengine<\/a>\n<\/td>\n<\/tr>\n\n
\n\n230303\n<\/a>\n<\/td>\n\n\nnthg left<\/a>\n<\/td>\n<\/tr>\n\n
\n\n230305\n<\/a>\n<\/td>\n\n\nwhistling<\/a>\n<\/td>\n<\/tr>\n\n
\n\n230307\n<\/a>\n<\/td>\n\n\nde la soul<\/a>\n<\/td>\n<\/tr>\n\n
\n\n230308\n<\/a>\n<\/td>\n\n\ndaft funk<\/a>\n<\/td>\n<\/tr>\n\n
\n\n230311\n<\/a>\n<\/td>\n\n\ndaze go by<\/a>\n<\/td>\n<\/tr>\n\n
\n\n230313\n<\/a>\n<\/td>\n\n\nanno<\/a>\n<\/td>\n<\/tr>\n\n
\n\n230314\n<\/a>\n<\/td>\n\n\n\u03c0<\/a>\n<\/td>\n<\/tr>\n\n
\n\n230317\n<\/a>\n<\/td>\n\n\n1.618<\/a>\n<\/td>\n<\/tr>\n\n
\n\n230319\n<\/a>\n<\/td>\n\n\nkoan<\/a>\n<\/td>\n<\/tr>\n\n
\n\n230321\n<\/a>\n<\/td>\n\n\nsite work<\/a>\n<\/td>\n<\/tr>\n\n<\/tbody>\n<\/table>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"footnotes":""},"class_list":["post-4697","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/caccialuce.com\/home\/wp-json\/wp\/v2\/pages\/4697","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/caccialuce.com\/home\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/caccialuce.com\/home\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/caccialuce.com\/home\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/caccialuce.com\/home\/wp-json\/wp\/v2\/comments?post=4697"}],"version-history":[{"count":10,"href":"https:\/\/caccialuce.com\/home\/wp-json\/wp\/v2\/pages\/4697\/revisions"}],"predecessor-version":[{"id":4819,"href":"https:\/\/caccialuce.com\/home\/wp-json\/wp\/v2\/pages\/4697\/revisions\/4819"}],"wp:attachment":[{"href":"https:\/\/caccialuce.com\/home\/wp-json\/wp\/v2\/media?parent=4697"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}